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 From the series EN KVINDES HVERDAG (The everyday life of a woman) a collaboration between Kirsten Justesen and Lene Adler Petersen made for the periodical KVINDER (Women).Kirsten Justesen, Lene Adler Petersen and the late Susanne Ussing crossed each other’s track on seminal exhibitions and in collaborative works during the 1970ties. With their individual approach, the three artists set an agenda and their intense experimentation and statements formed the basis for much political art, and particularly feminist art in the period. It is with respect, courage and joy that Galleri Tom Christoffersen presents the exhibition SOME WORKS FROM SEVENTIES (Nogle arbejder fra halvfjerdserne). All works in the exhibition are done in the seventies or with an impetus in the period. Thus phrases scribbled on random pieces of paper during Lene Adler Petersen's daily work at Eks-Skolens Trykkeri in 1974 are now set with lead composition; one phrase per sheet with statements like: “EN DAG TOG JEG BRYSTERNE I EGEN HÅND” ("One day I took both breasts into my own hands"). All Kirsten Justesen's works are from the time the studio was between nursery and kitchen, a situation materialized in several pregnant bellies in transparent material, which contains quirky ideas about the opportunities of this body expansion. Susanne Ussing’s site-specific work, “I Drivhuset" (in the Greenhouse), was realized in 1980. It was a giant kneeling female figure in granite and porous materials, installed to the breaking point of the greenhouse situated in the park of the Ordrupgaard. Sketches and photographic documentation of this important and temporary installation are presented at the group exhibition. The works mentioned above are among the most explicit, but there is no doubt that at SOME WORKS FROM THE SEVENTIES various spheres merge in the desire to see the personally experienced in dialogue with political ideals. In the process leading to the final works the everyday life and privacy are important components. With this alternative gaze collages, sketches, photographs, paintings, installations collaborative works and performances both formed and was formed from a new standpoint. Galleri Tom Christoffersen wishes to thank Kirsten Justesen for curating SOME WORKS FROM THE SEVENTIES and to thank Carsten Hoff for making works by Susanne Ussing available for the exhibition.  works |
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Documentation of the installation ”I Drivhuset” by Susanne Ussing, installed at Ordrupgaardsamlingen 1980. At the exhibition presented as sketches and as C-Print diabond 175x124 cm |
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Kirsten Justesen Lunch For A Landscape 1975/2009 C-print on dibond 124 x 188cm 1/7 |
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Lene Adler Petersen |
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Installation view NOGLE ARBEJDER FRA HALVFJERDSERNE Galleri Tom Christoffersen, 2010 |
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Installation view NOGLE ARBEJDER FRA HALVFJERDSERNE Galleri Tom Christoffersen, 2010 |
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Installation view NOGLE ARBEJDER FRA HALVFJERDSERNE Galleri Tom Christoffersen, 2010 |
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Kirsten Justesen Babyen - 1974-75 E.T. silk-screen printing 90 x 60cm - ed. 25 Omstændigheder / Kong Salomon - 1970-71 E.T. silk-screen printing 87 x 61cm - ed. 20 Offentlige Korpsbilleder - 1973-75 E.T. silk-screen printing, 95 x 64cm - ed. 20 Private Jordbærbilleder - 1973-75 E.T. silk-screen printing, 95x64cm, ed. Collection: The New Carlsberg Foundation (Three works) |
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Documentation of the installation ”I Drivhuset” by Susanne Ussing, installed at Ordrupgaardsamlingen 1980. At the exhibition presented as sketches and as C-Print diabond 175 x 124 cm |
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Lene Adler Petersen Sætning 1974, 1 – 13 Composed in 2010 lead composition on paper 27,7 x 38 cm ed. 10 Collection: The New Carlsberg Foundation |
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From series Lene Adler Petersen Sætning 1974, 1 – 13. No. 9. Composed in 2010 lead composition on paper 27,7 x 38 cm |
Kirsten Justesen
